Good choice. I know some photographers are pretty good at covering action while changing lenses on a single body but I'm always paranoid about either missing a shot or dropping a lens. And of course if one body stops working you can keep shooting. Ditto for card failure.
Having two bodies either on some kind of dual camera harness or with one slung back over the shoulder with the vertical grip at your hip for quick access gives you the best chance of covering the fast paced stuff.
It's also worth mentioning that even though today's sensors offer resolution that is overkill for most of the wedding coverage giving you a lot more freedom to crop, in a church for example you'll often be shooting in crappy light without flash or off-camera lighting and at higher ISO cropping will reveal more noise so it's best to use the right lens for the job.
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03-19-2017, 08:16 AM #1801
Last edited by Dominik; 03-19-2017 at 08:22 AM.
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03-19-2017, 03:55 PM #1802
Just finished my blog from the wedding I shot last month
https://www.garyhebdingjr.com/blog/2...g-day-02112017Misc photography crew
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03-20-2017, 08:28 AM #1803
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03-20-2017, 08:41 AM #1804
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03-20-2017, 02:58 PM #1805
Other miscer checking in...(I'm serious Gains and I discussed shooting a little bit while I am in chicago).
It would be awesome to shoot with another miscer. I should be in Chicago april 8-9. Looking to do a portrait session with a girl who I already have setup and following my evening with some city shooting. Last time I went to Chicago, Gains and I did some shooting. Good time
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03-20-2017, 07:15 PM #1806
Kendall by Gary Hebding Jr., on FlickrMisc photography crew
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03-20-2017, 08:03 PM #1807
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03-21-2017, 12:56 AM #1808
- Join Date: Jul 2005
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03-24-2017, 06:46 AM #1809
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03-24-2017, 06:53 AM #1810
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03-24-2017, 10:07 PM #1811
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03-25-2017, 04:18 AM #1812
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03-25-2017, 03:51 PM #1813
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03-25-2017, 11:16 PM #1814
Anna by Gary Hebding Jr., on FlickrMisc photography crew
Chicago crew
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Throw keys on bench to claim it crew
6'2" 193lbs crew
#MMGA
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03-26-2017, 07:07 AM #1815
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03-28-2017, 05:06 AM #1816
New shot from yesterday
Camie by Gary Hebding Jr., on FlickrMisc photography crew
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6'2" 193lbs crew
#MMGA
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03-30-2017, 08:35 AM #1817
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03-30-2017, 09:12 AM #1818
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03-30-2017, 12:01 PM #1819
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03-30-2017, 12:17 PM #1820
The rock triggered me. I'm about 5 minutes away from crawling into a corner and crying that she's not my president. SRS.
I'm assuming that this is the same dealer you previously did photos for? I remember a bunch of trucks out in the snow. Given the constraints I'm assuming you were under, I think it turned out well.
The rock stuck in the tire makes the photo unacceptable to be given to a dealer. Would you give a dealer photos with visible sensor dust? It should have been physically removed and failing that you should have done it in post. The high contrast is distracting. If a person thinks to themselves, "WTF is wrong with the tire?!" that is going to decrease the likelihood of them purchasing the truck.
The second thing I noticed is a stylistic difference of opinion. Having the front tires turned allows the rim to be seen. My problem is that having the tires turned away makes an aggressively styled truck look weak. The positioning makes me think the truck would try to go around obstacles.
I would have positioned the tires dead on to the camera. "Get the fuk out of the way or you're getting run over. This truck gives zero fuks about any obstacle it faces."
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03-30-2017, 01:38 PM #1821
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03-30-2017, 03:52 PM #1822
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03-30-2017, 06:24 PM #1823
This is what I would have done if I was you, the image is hidden and only accessible via direct link so dont worry noones gonna go stealing your ****.
Changes:
- made it a panorama by cutting off bottom 40%,
- cloned out tree tops
- gave it a touch more contrast
- brought up shadows a little to save the mountain details after contrast darkened them
- reduced highlights slightly to save cloud detail
Could probably sit down and do a ton to it if I had a high res RAW and time to make the mountain pop more, but its a really solid image just suffered in its original composition. With composition think "what is the subject" and "where do i want my eye to go" and "am i being distracted". For example in this Id say the dramatic sunset is the real focal point of the image and the lines and peaks of the hills lead the eye toward it, which is all good, but then you had the blurry dark trees at the bottom which completely drew the eye downwards away from the sky.
Just imo.
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03-30-2017, 07:13 PM #1824
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03-30-2017, 07:29 PM #1825
Foques I really like the shot. You don't need my advice but if it were my shot I'd just give it a little more work in post to bring up the contrast a touch with some local contrast to bring out texture in the gravel, etc, pull back the saturation without it being too obvious to blend in with the conditions, and give it a slight vignette.
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03-31-2017, 07:50 AM #1826
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03-31-2017, 08:08 AM #1827
All that matters is that the client was happy and they were. In my experience they generally like images that don't look edited and are loosely cropped so a graphic designer has more freedom later. It works in our favor since it makes the job easier. You get paid and never have to look at them again.
That's the best thing about commercial photography. Turn up on time with the right gear, nail the lighting, exposure, focus, etc., and move on to the next shot. Give them the files and move on to the next job.
It's easy for photographers who have never done that work to nitpick and comment like it's an unfinished product so I figured I'd spend a few minutes on it to show how it would look in a brochure, etc. You did a great job.
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03-31-2017, 08:14 AM #1828
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04-01-2017, 08:19 AM #1829
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I don't want to change the aspect ratio because I print standard sizes.
As for bringing the shadows up and highlights down, I had 2 more brighter exposures, as well as 2 darker ones for more dynamic range. If you get too carried away with the shadows and highlights it begins to look fake, like a bad HDR photo. That's why I chose to only bring down the highlights and up the shadows so much.
If I had a choice to zoom in more and eliminate trees, that would have been an option but when I move to the side of the trees, I loose that valley and all of the layers behind the foreground. I have a shot without the trees and it's much more bland.Architectural and Interiors Photography | Fine Art Landscapes
| www.codylere.com | instagram.com/codylerephoto
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*Misc Photography Crew*
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04-01-2017, 08:53 AM #1830
Sounds like you did what you could within the restraints of the scene and your printing requirements, which is fair enough you can't magic away a woodland, just showing what I'd have done myself more in regards to framing. The points on post being taking too far is definitely true but with a solid original RAW file you can get the most out of an image and make it shine whilst keeping it looking real and not overcooked.
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